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| Q1. What inspired you to shoot in Lamu? |
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Ans. To me, Lamu being a quaint island with its narrow and untouched streets represented the human mind in fear which resists change and keeps us small and narrow and avoids expansion and growth.
The town sits at the edge of the ever-expansive Indian Ocean, that to me is symbolic of the freedom and expansion of the human spirit.
The feature film explores how to actualize our potential by looking into our spirits within rather than focusing on our outward fears. |
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| Q2. What made you write the story? Were you raised Muslim? |
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Ans. The story is a personal one that I experienced myself.
No I was not raised as a Muslim. To me, the Bui Bui is again symbolic of the cage of conformity that we find ourselves in.
I grew up in a British boarding school where i was sent at the age of 5 yrs in India. On coming home for the holidays, I could see things from an outsiders perspective and noticed how important the role of the society was, in keeping people to conform to one narrow way of life. If anything new was tried you were the 'Odd one'. So most girls stayed in their tight slots allotted to them. |
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| Q3. Where do you get your inspiration from? |
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Ans. My inspiration comes from two women, a senior Bollywood actress called Shabana Azmi who has always acted in meaningful films that propel women to honour themselves and be self worthy. She’s a parliamentarian in Delhi making policies on women empowerment.
Another is the Goddess Shakti, who is, according to Indian mythology the epitome of courage, and is a warrior Goddess who took form on earth to fight the demons within us. In India she is a symbol of strength for women.
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| Q4. Which are some of the directors that inspire you? |
Ans. Some directors that have inspired me are Indian director, Guru Dutt for Pyaasa, Kagaz Ke Phool, French director Jean Pierre Juenet for Amelie and Korean director Kim Ki Duk for Spring, Summer, Fall, Winter…. |
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| Q5. What is the essence of the movie? |
Ans. The theme of the film is conformity versus freedom. The film has realism at its core. Though social conformity keeps us safe and secure, it also keeps us small, narrow and stagnant. We are actually born with different talents, potential and uniquenesses, hence these differences should be celebrated and allowed to blossom rather than be feared. |
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| Q6. After the success of the short film, what next for Kaaya? |
| Ans. We are currently developing SUBIRA into a feature film. |
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